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Loading... In the Shadow of the Master: Classic Tales by Edgar Allan Poe and Essays…by Michael Connelly
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Few have crafted stories as haunting as those by Edgar Allan Poe. Collected here to commemorate the 200th anniversary of Poe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block, Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.
Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas . . . or maybe he just thought of them first.
Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.
The Mystery Writers of America, founded in 1945, is the foremost organization for mystery writers and other professionals dedicated to the field of crime writing.
(retrieved from Amazon Fri, 24 Apr 2009 07:58:11 -0400)
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But the shtick of this particular edition of Poe stories is what didn't really work for me. It's put out the Mystery Writers of America, which seems fitting because their annual award is called the Edgar, for obvious reasons. A number of successful members of this group were asked to contribute pieces on Edgar Allan Poe. And with some few exceptions (Nelson DeMille, Laura Lippmann), these short writings add very little. Overwhelmingly, they're insubstantial. And this is so consistent that I strongly suspect the editor and whoever else was working on this project made the requests in such a way that lead people to believe it was okay to toss off a few paragraphs and call it a day. I feel as though they must have been asked "hey, could you write something? Just a little something? Don't feel you have to spend much time on it, anything you jot down would be just fine. You know, in your spare time." My general feeling after reading most of them, even from authors I very much like, was "wow, talk about phoning it in." I think fewer essays of more substance would have been a better way to go.
Grade: A for Poe, clearly. C for almost everyone else. The authors' essays felt much too obligatory.
Recommended: There are more complete works of Poe, but this is an especially nice-looking volume with good hand feel to it.
2009/46 (