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A Darkness More Than Night by Michael Connelly
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A Darkness More Than Night

by Michael Connelly

Series: Harry Bosch (7), Terry McCaleb (2)

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English (11)  French (1)  All languages (12)
Showing 1-5 of 12 (next | show all)
Funny thing happened on the way to read this, I realized after a couple of pages that I needed to read Blood Work first because of the introduction of a new character that has his own series--I don't know if this was Connelly's original intent, maybe it just happened that way? If you don't have Blood Work or just don't want to get into that series, it won't hurt you to miss it. But it does give you an idea of what makes McCaleb tick.

As for this story, it was quite interesting, but very easy to determine the who dunnit early on.

A lot of Harry's personal issues still aren't addressed from Angel's Flight, but Connelly throws a lot at you by focusing as much on McCaleb as Bosch to keep you interested until the end. ( )
  debavp | Nov 8, 2009 |
This is the one that got me hooked...it was my first Harry Bosch book. I love Connelly's intelligent writing style. It is so interesting to me to have the juxtaposition of a gritty character like Bosch with Connelly's prose-like narrative. After this one, I went back and read the series from the beginning. ( )
  hvoran | Sep 6, 2008 |
A Harry Bosch/Terry McCaleb police procedural.

McCaleb, in retirement from the FBI as a profiler in serial killer cases and an enthralled new father, is living on Catalina Island with his family, working a charter sports fishing business. He receives a surprise visit from LA County Sheriff’s detective Jayne Winston, with whom he has worked previously. She asks him to look over the files of what may be a serial killer and to just do a brief profile on the murderer. Despite his wife Graciela’s strong objections to being sucked back in, McCaleb takes on the investigation—which points him to Harry Bosch as the killer.

That’s the premise of this outstanding police procedural. Connelly has a particular style when writing about Bosch, and yet another when following McCaleb. The two voices are similar—after all, they’re in the same line of work—but yet distinct. It works quite well.

What sets this book apart in plotting is the truly superior way that Connelly shows how obsessiveness can lead to the wrong conclusion, and how a mind set can find plenty of evidence to back up a pre-determined theory.

The book is something of a sequel to Blood Work, although it can stand alone—and in fact, can stand alone from the rest of the Bosch series.

Connelly’s books are hallmarked by very taut writing, excellent plotting, some sort of unexpected twist towards the end, and very fine denouements. This one is no exception; the only quibble I have with it is the very end, which I think weakens the book overall. But that’s minor—it’s just that Connelly sets such a high standard that, if he’s not practically perfect, you notice it.

All in all, another outstanding book in the genre from Michael Connelly ( )
  Joycepa | Aug 21, 2008 |
disappointing. very farfetched. but bosch is an interesting character ( )
  mahallett | May 31, 2008 |
A little too contrived for my tastes. Some good stuff about observing the details. ( )
  Darrol | Mar 2, 2008 |
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A Darkness More Than Night

Book description

Amazon.com (ISBN 0446667900, Mass Market Paperback)

When a sheriff's detective shows up on former FBI man Terry McCaleb's Catalina Island doorstep and requests his help in analyzing photographs of a crime scene, McCaleb at first demurs. He's newly married (to Graciela, who herself dragged him from retirement into a case in Blood Work), has a new baby daughter, and is finally strong again after a heart transplant. But once a bloodhound, always a bloodhound. One look at the video of Edward Gunn's trussed and strangled body puts McCaleb back on the investigative trail, hooked by two details: the small statue of an owl that watches over the murder scene and the Latin words "Cave Cave Dus Videt," meaning "Beware, beware, God sees," on the tape binding the victim's mouth.

Gunn was a small-time criminal who had been questioned repeatedly by LAPD Detective Harry Bosch in the unsolved murder of a prostitute, most recently on the night he was killed. McCaleb knows the tense, cranky Bosch (Michael Connelly's series star--see The Black Echo, The Black Ice, et al.) and decides to start by talking to him. But Bosch has time only for a brief chat. He's a prosecution witness in the high-profile trial of David Storey, a film director accused of killing a young actress during rough sex. By chance, however, McCaleb discovers an abstruse but concrete link between the scene of Gunn's murder and Harry Bosch's name:

"This last guy's work is supposedly replete with owls all over the place. I can't pronounce his first name. It's spelled H-I-E-R-O-N-Y-M-U-S. He was Netherlandish, part of the northern renaissance. I guess owls were big up there."

McCaleb looked at the paper in front of him. The name she had just spelled seemed familiar to him.

"You forgot his last name. What's his last name?"

"Oh, sorry. It's Bosch. Like the spark plugs."

Bosch fits McCaleb's profile of the killer, and McCaleb is both thunderstruck and afraid--thunderstruck that a cop he respects might have committed a horrendous murder and afraid that Bosch may just be good enough to get away with it. And when Bosch finds out (via a mysterious leak to tabloid reporter Jack McEvoy, late of Connelly's The Poet) that he's being investigated for murder, he's furious, knowing that Storey's defense attorney may use the information to help get his extravagantly guilty client off scot-free.

It's the kind of plot that used to make great Westerns: two old gunslingers circling each other warily, each of them wondering if the other's gone bad. But there's more than one black hat in them thar hills, and Connelly masterfully joins the plot lines in a climax and denouement that will leave readers gasping but satisfied. --Barrie Trinkle

(retrieved from Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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